"What can I say? Which is better to have loved and lost, rather than putting lineolum in your living room?" Leroi James / Amiri Baraka
. "The draw does not exist"
Edson Arantes Do Nascimento , commonly known as Pele Paolo Sorrentino
young talents of Italian cinema loves to dwell on small movements of the soul. Against the backdrop of a beautiful Naples unravel the story of two parallel Antonio Pisapia, differing in character and attitudes, but united in a destiny of success declines, dreams and sour awakenings. Tony is a charismatic singer that plunges through life without wanting to waste a moment, that is seducing admirers, smoking cigarettes, cocaine or pulling enjoying a delicious bass. Anthony is a footballer at the end of his career so patiently waiting to become coach and dreams of flying to Holland to see the players. Two similar lives lived differently, two diametrically opposed philosophies that only seem to sublimate at a certain point, after which the two protagonists happened to be touching. Geometric operations, but never aseptically theoretical 
One man shows in an impressive manner the author's talent, which means virtuous camera movements and evocative musical counterpoints earnestly and thoroughly describes the discomfort an individual / universal of its protagonists, unable to express their skills or to restrain, concerned about the consequences of their actions (think of the endless perfection by Antonio to his form, which should be ready for all circumstances of the game) or completely dismissive of them: the two extremes in the end lead to the same conclusion, it just changes the way to accept it. Excellent interpretation of the monotonous
Toni Servillo (Tony), an extraordinary color in his character with a compelling speech and body language with a wonderfully exasperated. Anthology from the initial outburst of the coach in the locker room, as well as the grotesque Tony's final flight, which flows into the sea without reservation obsessively sought in every moment of his life and that the director seems to suggest as the definitive symbol of freedom, perhaps illusory, but still more to reach the sky.
. With these two emblematic quotes before the work begins 
One man shows in an impressive manner the author's talent, which means virtuous camera movements and evocative musical counterpoints earnestly and thoroughly describes the discomfort an individual / universal of its protagonists, unable to express their skills or to restrain, concerned about the consequences of their actions (think of the endless perfection by Antonio to his form, which should be ready for all circumstances of the game) or completely dismissive of them: the two extremes in the end lead to the same conclusion, it just changes the way to accept it. Excellent interpretation of the monotonous 
Andrea Renzi (Antonio) and the Master of 
