Two Moroccan children and their families , American couple and their two children, a Mexican nanny and wayward niece, a deaf-mute Japanese girl and her father. These are the protagonists of Babel's Alejandro Gonzales Inarritu , divided by language, but are linked by chance and by a path of pain and redemption. Terms and almost sacred for the new film by Mexican director after Amores Perros and 21 Grams choir prepares another story, whose central theme this time is the difficulty of communication, not only between cultures and languages, but also between different approaches to life, both emotionally and socially. The four main events of chronological and spatial requirements are interwoven without following a parallel stream of sensations: the structure certainly interesting, however, reveals a degree of artificiality to the bottom and a questionable long-term tendency to highlight the narrative device rather than the harmony of feelings, and to exaggerate the drama of the situations with the risk of producing indifference rather than empathy. Desensitization also wrote the screenplay, plagued by forced solutions (impossible not to wince for the connection with the episode Japanese) or depressing banality (the drunk-driving, police unreasonable and institutions against the city, though plausible, are now abused cliché ), which together with descriptive metaphors suggested that exhibited more (representing Tokyo to identify the lack of communication is approaching the cliché) seem to come together to pack a remarkable global product instead of a universal true fresco. Overall, the film still works: two hours while abbondandanti be somewhat verbose flow with reasonable fluency, performers, professionals and non-convincing and the director shows the absolute peak of excellence (especially the prologue to the episode and give virtuosisimi Japanese). The problem is that behind this remarkable manifestation of trade seems to be little, actually, unless you get emotionally involved with the hardness esaperata and exasperating in history (still far from the true ferocity of Amores Perros ), there is the feeling of a great wasted talent, just as they did for 21 Grams . Planning.
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