Acrostic Of Esophagus

SUMMER COURSES FOR ILLUSTRATION

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For further information please contact us on

info.fineartfactory @ gmail.com or call at 329 9882303

For Any Further Information please contact us on

info.fineartfactory @ gmail.com or 0039 329 9882303

TOPICS OF COURSES 2011

Fabian Negrin

illustrate children's books

FIRST DAY:

Vision of the portfolios of participating

Exercise of illustration, a word and an image

SECOND DAY:

Exercise of illustration: the cover of a novel

What is a cover? How do you build?

perfect examples of covers (few)

examples of bad covers (a lot)

THIRD, FOURTH AND FIFTH DAY

Exercise of illustration: to create one or more image over

for a story or a fairy tale.

How to identify the key points of a story?

What is the difference to make a cover?

Shadows, lights, backgrounds, shapes, techniques.

GABRIEL PACHECO

metaphorical construction

The illustration is a writing that must be developed in depth,

are the words between the lines that describe the silences.

Exercises on the de-contextualization of images and their

re-signification on the canvas, building a metaphorical figure that allows other readings . It 's the crack in the rock where he lives our voice: the cloud-related pietra.

Metaphorical constructions

The illustration is a script to be developed in depth, the words that we find 

 between the written word and descibe silences.   

Exercises on the decontextualization of images and their 

re-signification on the canvas, building the metaphorical figure that enables and allows other readings.  It is the fissure on the rock in with our voice live: the cloud tied to the stone.

Metaphorical constructions.

The illustration is a script to be developed in depth, are the words for what is between the words, writing rests. Exercises decontextualization images and

re-signification on the canvas, building the metaphorical figure that enables and allows other readings. recess is inhabited our voice: the tag attached to the stone.

ANNA CASTAGNOLI

The contemporary character illustration

styles, facial expressions, costumes, its place in the composition of the image

and rhythm of the book. Through the theoretical parts,

where they will be viewed hundreds

illustrations, and plenty of hands-on experimentation, students will be invited to discover their graphic universe.

And 'in fact in the faces, hands and gestures of the protagonists of children's books

for children who find the unmistakable signature of their creators.